As part of yesterday’s PSN (excuse me, Sony Entertainment Network) update, the Jak and Daxter Collection is now available for purchase. It’s been over a decade since the original Jak and Daxter was released on the PS2, so now is a perfect time to revisit the series or experience it for the first time.

I never got to play the original trilogy on PS2 so personally I can’t wait to get this. The collection is also available in stores for those of you who don’t like digital downloads. Jak and Daxter Collection sports HD graphics, 3D support, and trophies for you to collect.

[Source: Playstation.Blog]

An army of penguins under the leadership of evil dictator Putzi is taking over Albatropolis and there’s only so much an underground resistance of Cardinals can do to stem the tide of Antarctic invaders. But from the sky soars a jetpack-wearing, shotgun-shooting, action-hero of a chicken, ready to rain death upon the ruthless aggressors invading his homeland.

Rocketbirds: Hardboiled Chicken recently made its way to the PlayStation Network, but is this puzzle-platforming shooter worth your dollar in this crowded holiday season? Read on after the break to find out.

Rocketbirds: Hardboiled Chicken is a game with several strong suits. Its art style and writing would make most animated shows jealous. With crisp visuals and a story that is serious one moment, and incredibly facetious and juvenile the next. Then there’s a brilliant soundtrack that manages to pull the game’s best qualities together and make an enjoyable experience even better.

Unfortunately, the aesthetic and narrative prowess doesn’t quite carry over into the gameplay department. In this regard, Hardboiled Chicken is an average game at best. While the title blends the sidescrolling-shooter and puzzle-platforming genres, mechanically, nothing is done terribly well — leading to a final product that feels much more stylish than it does substantial.

The controls are competent – if a little awkward.  For a game that has a large focus on shooting that aspect of the game is incredibly limited. While grenades can be lobbed at an angle of your choosing, other weapons can only be fired straight ahead. So while there’s a variety of guns to choose from,  it’s more about finding a weapon that suits your play-style than strategy. Oh, and don’t bother trying to jump and shoot. It doesn’t work.

The stiff controls and slow animations can make the game more of a chore than it needs to be. Because of this combat situations can be needlessly frustrating. Rather than flowing from one action to another, movement feels choppy and slow to respond to user input.  These awkward movements are most troublesome in combat, but can grind on nerves during the puzzle-platforming sections as well.

There are also a few aerial combat portions that help break up the monotony. Shooting down attack helicopters and zeppelins for a few minutes is a nice diversion before heading back to the meat of the game. Unfortunately, these sections also suffer from control issues that take a little getting used to.

Luckily, pretty much everything else is working in Hardboiled Chicken’ favor. The writing is great, and genuinely funny. Serious moments are often undermined by irreverent humor. Fortunately, Ratloop Asia is deft enough to use jokes sparingly enough to never become ham-fisted – despite the juvenile lows to which it regularly sinks – yet often enough to ensure that the game is more frequently hilarious than it is dark.

The story is told largely through cutscenes. However, voice acting is almost non-existent. Music provided by New World Revolution is largely left to convey the story. The lyrics line up with the plot perfectly and this blending of music, narrative, and visuals is easily my favorite part of the game. Even if you’re not entirely sold on the game, give N.W.R. a listen.

There’s an option for multiplayer, but I didn’t find myself fiddling with it much. It’s local co-op alteration of the main campaign, which might help some people extend the life of what is a fairly short game. But unless you regularly have buddies over at you’re place looking for something to play together, I sincerely doubt you’ll be spending much time with this mode.

All in all, Rocketbirds: Hardboiled Chicken is a good game, but a great art direction, narrative, and fantastic soundtrack can only go so far to counterbalance a short campaign with average gameplay.

This review of Dungeon Defenders must begin with a short study of M. Night Shyamalan’s film, Lady In The Water. It’s a worthy comparison in its own way. Both game and film feature casts of characters who must defend their precious jewels from evil (in the film it’s a lady and in the game it’s an actual jewel).

One character in Shyamalan’s film also serves as a metaphor for the game as a whole. It’s Reggie the Guardian, that guy with one super buff arm and one regular arm. Translate that into Dungeon Defenders; from one side it seems to have true strength as a co-op RPG. Take a look from another angle, and it’s a rather bland tower defense title.

By looks alone Dungeon Defenders is bound to catch people’s interests and hold them for a good time. Graphically, the game delivers sharp, 3D cell shaded characters with smooth animation, who can be customized leveraging a wide color palate. The environments are also highly detailed — one can really get a sense of the grittiness of each stone on the castle wall, the inherent magic of glowing crystals, etc. It is apparent that Trendy Entertainment makes good use of the Unreal Engine in this regard.

If the game were to fall short presentation wise, it would be for the simple fact that it is full of completely worn fantasy tropes. The Squire (knight), Huntress (elf), Apprentice (wizard) and Monk (okay, wizard again) are not breaking away from convention. No matter how much one customizes their outward appearance or how wacky their names (and no matter that Trendy chose to render them as cute yet vicious children) they are just the same old characters with predictable abilities.

The environments fair no better. Triteness can be found in the snowy castle, the fiery forge, the cellar, etc. for a total of 13 levels. Then again, what is there to expect from a game with “dungeon” in its title? Dungeons are dungeons. At least, in this game, they are well designed and make for compelling strategy from a tower defense perspective.

A big part of what makes Dungeon Defenders fun is that, unlike other tower defense games, it challenges the player to strategize on multiple levels. Traditionally, the map is the player’s best friend. It is critical to have that bird’s eye view to determine the various choke points where you can catch baddies in crossfire, the places where you want to divert the flood of enemies. That’s only the beginning with this game.

Each round in Dungeon Defenders is broken up into a Build phase and Battle phase. This introduces the next level of strategy. During Build, the action is essentially paused, giving the player unlimited time to determine whether defense or offense is the best approach. The choices are really diverse since the game also allows you to cycle between characters and take advantage of their respective arsenals, accommodating any play style.

Examples — for those who like to hang back, it may be best to set up the Squire’s spiked barricades, with the Apprentice’s magic fireballs and the Monk’s lighting aura traps. Then, in Battle you can use the Huntress and her crossbow, dispatching enemies from afar while they spend their time trying to break down defenses. For the more adventurous, it may be fun to set up the Apprentice’s towers, Huntress’s mines and gas bombs and the Monk’s slow aura trap. Then, go gung ho with the Squire swinging his two sided broadsword in the midst of explosions and debris.

Dungeon Defenders offers a robust RPG experience on top of this all, making for the last level of strategy — character progression. Whereas Build phase allows switching between characters, only one can be used in Battle. Essentially, the game forces the player to think about which character she wants to level up since XP is rewarded only to the one used for finishing off the stage. The more a character is leveled up, the stronger her towers, traps and walls are. So, depending on play style once again, it will behoove you to favor certain characters, leveling up certain abilities at the expense of others.

There is also plenty of loot to be had. From more jewel resources to weapon upgrades to pets that augment the character’s stats and/or attack enemies, vanquishing the evil horde offers more reward than just satisfaction. Albeit, sometimes navigating the RPG portion of Dungeon Defenders screws with pacing.

Having a Build phase for the player to architect the perfect playhouse of death already brings the game to a halt. Having to cycle through menus, sort through items, sell items, lock certain ones, bank jewels, upgrade stats and so on, one can run out of breath. It doesn’t help that in the beginning characters are relatively slow as well. Sometimes it can feel like an eternity to travel from point A to point B just to set up a single tower or to repair a wall. Even when speed stats are accounted for, it is just hard not to yawn when traversing the map.

Another frustration comes from the fact that Dungeon Defenders favors co-op to the point that it marginalizes those who like to play solo. The game doesn’t scale, so the same amount of enemies that four players would experience is the same amount single players experience. In other words, if you play by yourself, you die. There may be a chance to survive solo on easy difficulty, but, who wants to be stuck playing on easy?

The game has a penchant for randomizing bosses, hammering this frustration deeper. The scenario happens something like this: you’ve managed to get to level X on your own (quite a feat!). You’ve gotten to the last stage of the level, and it seems like you’ll pwn this thing. Then the words pop on screen “an ogre has appeared”; that’s enough for a rage quit because that green behemoth has thousands and thousands in health points and the rest of the horde has broken through. Expect this to happen a lot; and if you’re not playing with three others, it’s a hopeless enterprise.

Pulling from the Reggie the Guardian metaphor from the beginning of this review, the game is strangely imbalanced, because the co-op side of things is great. Strategy takes on a whole new dimension when others are involved, and you feel the camaraderie in teamwork when taking down hordes of foes, including the seemingly juggernaut ogre. It has to be said that Trendy Entertainment had sought to build a co-op focused game early on, and they achieved their goal, even though the final product has one super buff arm and one mediocre arm.

This is the second week of my personal, three week journey through blood and horror. Beginning with a review of the highly anticipated Dead Island, this month started off rather well. If you liken it to a plot in a good B-movie horror flick, this would be around the time we get a twist. Whether it’s a good one will surely depend on your point of view.

While horror films are lauded for their incongruous material, that’s not something you really want to see in a video game. Not when incongruity means poor design, lack of depth and self mutilation. On that note, I have to say I feel my review of BloodRayne: Betrayal is going to hurt me more than it hurts you.

The concept is rather inspiring. Take the unlikely, bloodlusting heroine, Rayne, from the recognizable BloodRayne franchise. Insert her into an old school  hack and slash platformer. Then dress it all in bright 2D visuals with generous amounts of gore. Who doesn’t love old school platformers, vampires and furious deluges of blood? You can’t miss. Yet, somehow WayForward did miss. Not only did they miss, they turned the proverbial gun around in an act of self defying trickery and shot themselves in the foot. Never you mind the charming, vapid plot.

The biggest pain point is in the controls. Take the unusual but strangely appropriate metaphor of Swiss cheese that has been left out for a few days; the controls are full of holes and have taken on superfluous, toxic elements. There is no crouch. There is no block. There is only a questionable mechanic that forces you to run forward and quickly change directions to skid, then jump for a high backwards flip.

Let’s save the holes for a second and focus on the skid mechanic. While this skid jump has potential, (showing off some visual flair in character animation) combining it with the way levels are designed only causes the game to work against itself.

Prime example, around the eighth level, Rayne is forced to jump across a series of narrow moving platforms lest she falls and instantly dies in green acid. To up the challenge, WayForward placed acid geysers in between the jumps. It begins to feel like the awesome platformers of old; and it would be enjoyable except for that pesky, mandatory skid. This guarantees that forward momentum will cause Rayne to skid off the platform, fall and die.

It’s not just this skidding that will have the player getting used to her death scream. Raise the marker on this next scene. BloodRayne: Betrayal‘s horrible controls, take two.

The lack of a crouch/block/walk option is sorely missed. WayForward tries to balance this out by giving players the ability to suck an enemy’s blood for health in case Rayne takes damage (given that the particular enemy bleeds). Granted, this could have delivered challenging, strategic gameplay in theory. However, in application it’s ugly and frustrating. Throughout the entire game, enemies and projectiles will come at Rayne from all angles resulting in overcrowding and range issues thus rendering this ability null and void.

There are many times where Rayne will attempt to steal life from an enemy, only to lunge at an adjacent, non-bleeding enemy. Damage taken. When the player just wants to stand and fight, Rayne will be in the middle of a combo on one side of the screen while a dandy vampire ripped straight from the Castlevania franchise on the other side pulls out a gun (block button, wait, no block button?!?). More damage taken.

Rayne is on a moving platform that has reached the top of the screen, soon to descend. She can’t go anywhere because there’s a temporary acid gyser in the way. An illogical rocket is headed straight for her. Crouch would be useful. Instead, the player gets death. It truly is like the game is trying to offer up great gameplay in terms of control scheme, at the same time ruining it by incompatible level and combat design.

BloodRayne: Betrayal, take three. If anything good can be said about the game, it does have clean animation. After playing through all the mire and muck, it can be a delight to see Rayne chomp down on a bad guy, see him wither in her arms; or, during a combination, see heads pop off with spires of blood.

But the delight only goes so far. This is because once you’ve seen an enemy die in a shower of blood, you’ve seen them all. Also, the environments become recycled quickly. The game takes the player through dark forests, a gothic castle, catacombs, etc. all with repetitive backgrounds. In the end it all makes for a trite experience with less than unique platforming.

To top it all off, the game doesn’t provide much replay value. You can collect gems and kill enemies enough for a high score. Then again, in another act of self deprecation, the faulty combat turns this quest into something nearly impossible — points are liberally deducted for missing a kill streak or taking the slightest damage. You can collect red skulls for health and ammo increases … and that’s about it.

If BloodRayne: Betrayal works at all it’s in starts and stops. Honing in on one thing at a time, like the animation, one can arguably find areas that are enjoyable. A platforming section here or there may be fun to play through once. The part where Rayne runs the gauntlet of enemies just before the castle crumbles under her feet can provide hack and slash relief with excessive (in a good way) blood and dismemberment. Put it all together, however, any fun to be had gets lost in a vortex of suck. Pun totally intended.

I admit that I barely heard of Digital Reality’s SkyDrift, an aerial racing game available on Xbox Live and PSN, just a couple of weeks before it launched. However, what I’d seen impressed me. For a downloadable game, SkyDrift looked like a truly polished title. I had high hopes for this aerial racing game, and luckily most of them came true.

SkyDrift features three modes in its single player campaign. Power Race is a fairly standard race with varied power-ups. You have staples like machine guns, shields, and homing missiles. The catch is you can only carry two power-ups at a time, and if you fly over the same type twice it’ll get upgraded to a more powerful version.

Plus, at anytime you can sacrifice one of your power-ups to partially fill up your boost meter. If you’re in first place and you don’t need that repair power, you can sacrifice it to generate some boost to extend your lead. Overall, there’s nothing terribly surprising with the power-ups. You’ve seen them before in Mario Kart, Blur and numerous other games, but they work well here.

Survival races are a little bit different. You need to stay ahead of the pack while a timer counts down. When the timer hits zero, the plane in last place is kicked out of the race. The last man standing wins–which obviously is what you’re aiming for.

Speed Race gets rid of all the power-ups and instead litters the tracks with speed rings. Fly through one of them and true to their namesake, you get a huge boost of speed. These races were fun because trying to hit every ring in a lap can be a bit of a challenge and controlling your plane can get a little tricky at super high speeds.

The game controls nicely, with the right control stick being used to roll your plane to tighten its turn radius. I know I’m not a pilot in real life, but SkyDrift made me feel more like one. Again, none of these race types are the freshest things around, but they’re all well done and fun. Power Race really reminded me of Blur, which for me wasn’t a bad thing.

There are multiple planes you can unlock by winning races and progressing further in the campaign. A couple of them can only be unlocked by playing the multiplayer component. They all have varied top speeds, acceleration ratings, armor, etc.

The multiplayer portion has the same race types as the single player portion, and everything seemed to work just fine. I just don’t know how big the community is going to be down the line, especially because this is a downloadable title.

SkyDrift looks great for a $15 game. The colors are all vibrant, and it’s pretty impressive to see your shiny bright blue and yellow plane flying through a volcano and glowing lava. Sadly there were a couple of instances where if the camera was in the right spot, I could see through the environments.

While the game types are all fun, SkyDrift is pretty short. One could tell Digital Reality tried to squeeze some extra mileage out of their game by including reversed versions of some tracks, but it still felt like not enough. Hopefully Digital Reality will continue to support the game by releasing extra tracks as DLC.

It’s been too long since I’ve played an aerial racing game. I think the last time were the plane levels in Diddy Kong Racing. The game won’t wow anyone, but if you like arcade style racing games along the lines of Blur with planes–I mean, come on they’re planes!–you’ll enjoy SkyDrift. It’s only a lack of more content that holds it back from being even better.

If you’ve been playing Warhammer 40,000: Space Marine this week you might have noticed some problems with the online multiplayer. While the problems with matchmaking in the PC version of the game have been fixed, PlayStation 3 owners aren’t quite as lucky. Wait times to get into a match on PSN can exceed 35 minutes. While THQ have a patch coming to remedy the problem, the fact that such a substantial bug managed to get past the Relic Entertainment’s quality control is really troubling.

Space Marine‘s co-op campaign won’t be dropping for another three weeks. While it will be coming in the form of free DLC, between that and these bugs, it’s begining to look like THQ shipped an unfinished product. Unfortunately they’re in between a rock and a hard place with the fast-coming holiday season. Pushing the game back would mean increased competition for upcoming titles like next week’s Gears of War 3. Hopefully THQ’s attempts to expedite the patch will be successful. It would be nice to get in a match within a couple of minutes of booting up the console for once.

When DeathSpank released on PSN and XBLA last summer it received no shortage of praise. Headed up by legendary Monkey Island designer Ron Gilbert, that title combined the strengths of adventure games with those of hack and slash titles like Blizzard’s Diablo seies. While there were some problems with gameplay execution, DeathSpank won gamers over with an irreverent sense of humor.

While The Baconing might not bear the moniker of its predecessors, DeathSpank is back. The hero to the downtrodden has put on too many undergarments and has thus brought on the apocalypse. He must cast the thongs into the fires of Bacon to stop the end of the world. Yes, it’s that typical sense of humor you’ve come to expect of the series. I wish I could say that the same quality was there. But that would be a straight up lie.

Most sequels attempt to recapture the magic that made their predecessors great in the first place, or better yet, improve upon it. In a curious turn of events The Baconing, however, does the exact opposite. Rather than improve upon the strengths of the previous titles, the game almost entirely revolves around combat — something that has never been one of the series’ strong suits.

Shifting focus away from the adventure game puzzles of the first two titles might have worked in The Baconing‘s favor had Hothead Games fine-tuned the combat. Unfortunately, rather than improve upon existing weaknesses, combat mechanics remain virtually unchanged from previous entries. As you might suspect, diverting time away from enjoyable bits to focus on the sub-par ones makes for a considerably less enjoyable game.

Quests are considerably less clever in nature and essentially all boil down to “go here, kill this”. While that sounds simple enough, fighting your way to your goal can be absolutely brutal even on the easiest difficulty setting. Quests will be going along smoothly when the player happens upon a particularly difficult group of enemies. These encounters lead to uncharacteristic spikes in difficulty that will send players back to the nearest checkpoint far too frequently.

One of the main culprits behind the frustrating combat is the ranged enemy. Archers attack from afar, slowly whittling health away while other enemies swarm the player with melee attacks. To solve this problem there is a shield bash attack that prevents damage for a few seconds repelling enemies and oncoming fire. Unfortunately, there isn’t really a way to retreat while using this ability. It’s all too common to find a fatal arrow in the back when retreating in desperation.

Also frustrating is the manner in which health is recovered. The number of health potions DeathSpank can carry at any given time is limited, so the majority of healing is done with food. Food heals you over time but unfortunately can’t be used in combat. This frequently leads to falling back to recover a bit of health, praying that a large enemy doesn’t come by and give you a smack, thus wasting your precious nibbles and sending you back to a checkpoint yet again.

Much of the fun in a hack and slash game comes from looting. Unfortunately the poor inventory system from the previous games also make a return. Menus aren’t clearly laid out and it’s difficult to tell which pieces of equipment are truly superior. Making something that should be one of the most fun elements of the experience into a frustrating, tedious one only continues to diminish an already disappointing experience.

It’s not all bad though. The art style, music and voice acting are all what you’ve come to expect of the franchise. Buried under the layers of frustration and inadequacy players will find glimmers of amusement. While not all of the jokes hit their mark, the irreverent sense of humor leads to a few genuinely comedic moments in an otherwise unenjoyable experience. Amongst all the excretory humor and innuendo are some hilarious commentary on politics, the state of the world, and tropes of the genre.

While some fans of the first two DeathSpank games might be willing to suffer through the sub-par combat to get that next pun, others will leave The Baconing with a bad taste in their mouths. This is a game that turns its back on what made its predecessors so fun to play in the first place. If you’re somehow still interested and have yet to play the first two games you’ll probably have more fun with one of those.

It seems like every developer with a well known backlog of games is jumping on the HD collection bandwagon. First there was the God of War HD Collection, then the Prince of Persia Trilogy HD; now it seems that Capcom’s Devil May Cry series will be getting its own re-release.

While Capcom has yet to officially announce anything, the ESRB has rated the first three Devil May Cry titles for the PlayStation 3 and Xbox 360. Considering that the DMC series was a PlayStation 2 exclusive, branching out with a HD collection might get some younger gamers interested in the franchise.

Again, Capcom has yet to officially announce anything, however the company has recently opened up a fan art contest “promising the winners would be featured in an unannounced Capcom game.” Also it is coming up on the 10 year anniversary of the DMC series, making a re-release all the more plausible.

What do you guys think about this? In your opinion, does the evidence add up? Would you be interested in a DMC HD collection? Let us know what you think with a comment below.

Source: Shacknews

Grasshopper Manufacture is back with a strange new downloadable title. This time around the Shadows of the Damned development house is teaming with Digital Reality to bring an action-platformer to XBLA and PSN. The European developer and Grasshopper have worked together before, on the yet to be released horizontal shooter Sine Mora.

After the break we have a gameplay video of legendary Silent Hill composer Akira Yamaoka unveiling Black Knight Sword at Grasshopper Manufacture’s event at Gamescom in Germany. Let’s just say if you like marionettes, you’re in luck with this one.

[Gamer365 via Joystiq]

Chris Hecker (Spore, Quake) announced Thursday the price for early beta access to his latest espionage game, SpyParty, will be $15. This gets you access to the early beta, access to the forums and discussions, as well as the complete game once its released. Players who sign up through the game’s site will also have a chance to lay down $50 or more for their name to be included in the credits once the full title is released.

$15 dollars is a justified price, Hecker says, as it “has become the de facto price point for AAA Indie Games.” Is SpyParty a AAA indie game and is it worth $15 dollars? A good number of people certainly think so. Last time Hecker checked in on the numbers, there were more than 700 gamers already signed up and ready to go. That’s only a few months after he opened the sign up. Not convinced?

For those who are not familiar with the game, SpyParty‘s main mode pits two players against each other. One plays the spy who navigates through a dinner party trying to blend in. The other plays a sniper posted outside, scoping the various attendees under the auspices of eliminating this person with a bullet.

Instead of the action, blood and explosions one would expect from other spy games, this title focuses on subtleties of human behavior. So expect sophisticated AI acting like, well, humans. In its application at various expos, one has never seen a more tense session with two players gripping their controllers anxiously, eyes wide in stern concentration staring at a virtual dinner party.

While no official announcements have been made, Hecker wishes the game to be on all platforms, including the Wii U.

[source SpyParty]

Sony announced the the first annual PSN PLAY event Friday, vying to replicate the success Microsoft has had with its annual The Summer of Arcade sale. PSN will offer four games at retail, with a fifth game free to players who purchase all four. Pre-orders start Tuesday, August 9; and the event will last until Monday, September 19.

Sony goes further, giving players a free PS3 theme along with an unannounced “special gift” with each pre-order. Playstation Plus members will also get a 20% discount off every purchase during the event. This sounds like a good deal on the surface. But, I tell you, my wallet is terrified. Let’s break it down and do the math.

The first thing I noticed was the language surrounding these campaigns. I liken it to a croupier’s smile. It’s meant to be inviting, friendly. Yet, it’s only a facade and behind it lies the coldest, most calculating mind.

Notice that to Microsoft, The Summer of Arcade is a “party” and to Sony, PLAY is an “event“. Who doesn’t love parties or going to events? They’re fun! At the same time, respectively, it’s not a party and it’s not an event. They are both sales. They’re aimed at your wallet; and one would deduce it’s only festive and eventful when you’re the one receiving the dollars in said wallet, instead of liquidating them.

I trust that I’m stating the obvious. You’re a discerning reader who visits sites like Gamer Limit because you’re interested in more than just mindlessly buying and playing games. Through your practiced reading, you have gained the valuable skill of sniffing out the proverbial BS. Albeit, it’s a clever play on language. Hats off to the marketers.

With all the pomp and circumstance surrounding these festivities, however, someone is bound to take the bait. Both Microsoft and Sony have levers built into these sales that will then influence the behavior of more than one gamer out there. Call it Gamification 101.

A short re-cap — Gamification is the act of introducing game mechanics into things that are not games, i.e. a business process or transaction. That’s what Microsoft and Sony have done with their respective sales. To be specific, they’ve introduced achievements. When you buy all four The Summer of Arcade games, your achievement is a free copy of Crimson Alliance. Similarly, PLAY offers mini achievements in the form of PS3 themes and “special gifts”, along with the ultimate prize, PAYDAY: The Heist.

While I’d go for a free game myself, especially the Gauntlet Legends-eque Crimson Alliance, it’s not reaching a special checkpoint or completing a side-quest that gets me that achievement. It’s spending my hard earned money. Both Microsoft and Sony are exploiting our gaming sensibilities with their campaigns — the one thing they know will get the masses hooked into giving up the cash. It’s one thing to throw a bunch of flashy advertising at you for mere enticement, it’s another thing to get into your brain and play with your psyche.

So, how much money does one have to spend and on what?

The Summer of Arcade

• Bastion – 1200 microsoft points*
• From Dust – 1200 microsoft points*
• Fruit Ninja Kinect – 800 microsoft points*
• Toy Soldiers: Cold War – 1200 microsoft points*

* The lowest level of microsoft points once can buy is 1600 points, at approximately $20 a pop. This means, one is spending $60 on this “party”.

PSN PLAY

• Street Fighter III Third Strike Online Edition – $14.99*
• The Baconing – $14.99*
• BloodRayne: Betrayal – $14.99*
• Renegade Ops – $14.99*

* The total comes out to a little under $60. They sweeten the pot with PS3 themes and unnanounced gifts, as well as a 20% discount for Plus members. In total, with a 3 month Plus membership and the discount, one is paying nearly $66.

After all the semantics, theory and math comes a question: “Am I willing to spend $60 on these titles?” Of course, the answer is based on taste. As far as this year’s The Summer of Arcade is concerned, it is also based on hardware with Fruit Ninja Kinect. Albeit, it’s equivalent to a retail game with value in the eyes of the beholder.

Remember, there are many other games coming out this year, including but not limited to Dead Island, Batman: Arkham City and Star Wars: The Old Republic. Herein lies a greater dilemma and another question to ask: “With all the other anticipated games coming out this year, does this make sense?”

In the end, Gamer Limit cannot answer these questions for you. Neither can any other of the media outlets. It’s just that sometimes, I feel, that these media outlets should provide you with a deeper look at the mechanisms behind what we call news.

Way Forward and Majesco are bringing back femme fetale Rayne with BloodRayne: Betrayal. Wednesday, they released new screenshots of this side scrolling, hack-and-slash blood fest. Gamer Limit has them here for you.

Back in June, we got our hands on this game at E3 and recommended that you keep your eyes on this downloadable title for Xbox Live and PSN. Whether you’re into side scrolling hack-and-slash and gore, or a fan of the franchise. Did we mention that it has a knock-out art style? It does.